Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
By this I mean that we will no longer have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Kent du Pre
has done such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have made an appearance occasionally, nevertheless the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of Avion En Papier Pliage A Imprimer very early Japanese Origami.
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved solely by folding.
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one can make sure of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper appears to be Pliage Bateau En Papier Facile Japanese in origin was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is discussed by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and we are approaching sculpture rather than Origami.
Bateau en papier
Typically the associated arts are Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the Origami Easy end to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of paper each folded to represent some part of the creature and then brought with each other. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have made an appearance for folding a dragon from a amount of squares of different sizes.
Comment faire un avion en papierOrigami Easy Flower
Within the most extreme combos of water and papers we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe simplest step from the single color is one side colored and one white or plain. A great deal of modern Origami exploits this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A Origami Easy Instructions more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The cutting out of holes and so on. to indicate eyes and so on is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and obviously here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form we may use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or credit card. The most unusual form of 'display mechanics' that I am familiar with is by Toyoaki Kawai.